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  • Jan Groover, Untitled, 1978, Copyright Jan Groover, Courtesy Janet Borden Inc., New York, und KLEMM’S, Berlin
  • Jan Groover, installation view, GAK Bremen 2017, Photo: Tobias Hübel
  • Jan Groover, installation view, GAK Bremen 2017, Photo: Tobias Hübel
  • Jan Groover, installation view, GAK Bremen 2017, Photo: Tobias Hübel
  • Jan Groover, installation view, GAK Bremen 2017, Photo: Tobias Hübe
  • Jan Groover, installation view, GAK Bremen 2017, Photo: Tobias Hübel

Jan Groover

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26.08–12.11.2017

The work of Jan Groover (1943-2012) is very well known in her home country US. However, in Europe, her work is still hardly known. Here she is especially admired by a younger generation of photographers as an important source of inspiration.

Trained as an abstract painter in the 1960s, Groover turned to photography in the early 1970s, which she found more free and artistically open-minded than maledominated painting. Still, a painterly approach remains a recognisable component of her photographic work, expressed from the very beginning in its careful composition and the fusion of colours and surfaces. Her images challenge the boundaries of the medium of photography by distancing themselves from its generally assumed authenticity and ist documentary character, instead presenting a precisely composed picture. Colour and form domin–ate, perspective lines are blurred and removed, and light becomes an object itself in the reflective surfaces.
This approach is especially evident in the still lifes she began creating with kitchen implements in the late 1970s: frying pans, knife blades, whisks, fork tines, egg slicers or baking tins, shot together with plant leaves and vegetables and elevated as a whole. Groover’s Kitchen Still Lives examine the kitchen utensils of the housewife for their formal effects in relation to structures, light, forms, volumes, lines and colours.

Like the kitchen objects in the Kitchen Still Lives, everyday life contributed other themes to Groover’s work. A few years earlier, she created a conceptual body of images of American highways and residential subdivisions, that already evidence Groover’s interest in colour and its ability to create compositions. Since the early 1980s, her work turned to images that fragment the human body, nature or buildings into a criss-cross of lines across the image in a reduced black-and-white palette. Parallel the idea of still lives occur again with images that transform every day objects into surrealistic, stage-like settings that recall of Morandi or de Chirico.

The exhibition of Jan Groover in the GAK Gesellschaft für Aktuelle Kunst is the first institutional solo exhibition of the artist in Europe outside France and will present works since the 1970s.

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26.08–12.11.2017

Curated by
Janneke de Vries

Events

Fri 25.08.17, 7 pm

Opening

Thu 31.08.17, 7 Uhr
Guided tour with Janneke de Vries

Thu 21.09.17, 8 pm
Julia Bulk, Fanny Gonella, Arie Hartog, Janneke de Vries:
Contemporaries. Conversations on Contemporary Art

Mon 9.10.17, 2-6 pm
BLICKE BAUEN
Kinderworkshop

Thu 19.10.17, 7 pm
Guided tour with Svea Kellner

Thu 02.11.17, 7 pm
Stefan Gronert: The Revitalization of the Still Life: Jan Groover and the Consequences
Lecture

Thu 09.11.17, 7 pm
Shannon Bool: The Second Lens
Lecture (en)

Support

Senator of Culture of the Free Hanseatic City of Bremen
Waldemar Koch Stiftung

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