Gesellschaft für Aktuelle Kunst
Archive
2024–2021
2024
26.09.2024, 07:00 pm

Belia Zanna Geetha Brückner 
A good theory in theory 
poster frame serien “Re-Framing”
Opening with cheesecake

22.06.2024, 03:00 pm

Steps through stories – Collective walk along Waller Heerstraße (EN)
with Bubu Mosiashvili

> limited number of participants, please register via office(at)gak-bremen.de

21.04.2024, 03:00 pm

nearly all types of honey crystallize
Guided tour with Victor Artiga Rodriguez & Dawoon Park (EN)

02.04.2024, 07:00 pm

nearly all types of honey crystallize

Artists of the Binational Artistic PhD Program of HfK Bremen
Exhibition Opening
19 h speeches, 20 h concert by Christian Rosales Fonseca, Dj-Set and Honigbrot

2023
2022
2021
2020–2011
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010–2001
2010
2009
2008
2007
2006
2005
2001
2000–1991
  • Drawing in the German edition of René Daumal’s “Le mont analogue”, published by zero sharp

Maximilian Gilleßen and Anton Stuckardt (zero sharp, Berlin):
Symbolic mountains, imaginary solutions. From the Clinamen

11.07, 07:00 pm

Everything that exists (and what does not exist, or rather, what exists in its non-existence), owes itself to an original deviation, a differentiation of the self from itself. “Clinamen” the ancient natural philosopher Lucretius called “the Origin bodies tiny diffraction “(De rerum natura, Book II, V.292), that random deviation of the atoms from their straight-line fall through the empty space. “Clinamen” is also the title of the 34th chapter of Alfred Jarry’s “neo-scientific” novel “Gestes et opinions du docteur Faustroll, pataphysicien” (Exploits and Opinions of Dr. Faustroll, Pataphysician), in which a painting machine continues to create new images even after the complete devastation of Paris. One of Jarry’s best disciples, René Daumal, created in his fragmentary novel “Le Mont Analogue” (Mount Analogue) the myth of a mountain, which must necessarily exist as a link between heaven and earth, humans and gods, but can only be geographically located by logical deduction: A curvature not only of the atoms but of the Euclidean space conceals them from the eyes of the uninitiated. At the beginning of the expedition is thus the training in a science of imaginary solutions: the Pataphysics. For insofar as it proves the identity of the real and the imaginary, and thus the meaning of the imagination for the setting of its (imaginary) difference, it liberates the view of that inner geometry of language, of lines and writing, which is always capable of producing other worlds.

Maximilian Gilleßen, born in 1988, studied philosophy in Berlin and Paris. Together with Anton Stuckardt he founded in 2014 the publisher zero sharp. He translated and commented on works by René Daumal, Jean-Pierre Brisset, Gaston de Pawlowski, Michel Carrouges, René Crevel and Raymond Roussel, to whom his dissertation is also dedicated. He is a member of the Friedrich Schlegel Graduate School of Literary Studies and of the Collège de Pataphysique.

Anton Stuckardt, born in 1989, studied graphic design at the Hochschule für Gestaltung Offenbach and the Gerrit Rietveld Academie, Amsterdam. 2014-2015 he was a researcher at the Jan van Eyck Academie, Maastricht (project: “La maison plate – architecture in the thin space of virtuality”). Since 2014, he runs together with the translator Maximilian Gilleßen the publisher zero sharp, works as a freelance graphic designer and since 2016 as an academic staff at the College of Design Karlsruhe.

 

Read more
Thu 11 Jul 2019, 07:00 pm