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Halbe Halbe – Floating in, Swerving out, Doing Art & Theory

14.06, 6pm

The artists in the binational PhD Program at HfK Bremen are presenting their research in form of an exhibition (Dauerwelle) and lecture-performances (GAK).
By building on the convergence of practices that once were categorically divided, the program cultivates artistic projects and research activities that transcend disciplines and encompass a combination of theoretical, artistic, applied, and technological elements. In their practice, there is no deliberate differentiation between art and theory and, in using the term Halbe Halbe (“half and half”), the candidates share their research and insights by doing fluid acts, floating in and — willfully — swerving out.

The diverse research positions in Halbe Halbe – Floating in, Swerving out, Doing Art and Theory display a rich combination, in which things simultaneously share similarities, interconnect with each other, and still maintain their exclusive uniqueness.

By looking into the abyss, Luiz Zanotello examines its relation to the “unknown” and defines its feelings of understanding time, something Elisa Storelli is also researching, along with the role of time’s communication, digital materiality, and the perception of missing memory, like the one that Elburuz Fidan gazes into with his archival material that produces a counter-knowledge through a Queer lens. On a landscape, Irena Kukric stages scenes for invisible actors and performance installations, similar to Izabella Dobielewska, who changes the centricity of the human while deconstructing our relationships with mountains on an intimate level. On a different plane, Harm Coordes creates experiences, using community building to research fashion practices that criticize neoliberal structures, somewhat like the capitalistic principles dismantled by Henrik Nieratschker in his occupation as an artist at the Warehouse, as well as through an analysis of digitalizing labor. A model that is different from the cell models that Joosten Müller researches while examining the changes in the historical course of how humans learn and proposing new didactical approaches to understanding our tiniest living parts. Together with the above-mentioned, all-over critical approaches and crises, Shoey Nam introduces the relevance of laughter as a possible survival solution in serious situations.

Further information on the Binational Artistic PhD Program, the artists, the opening hours of the exhibition, that is on show until June 19, 2022, as well as on the accompanying program can be found here.

 

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Tue 14 Jun 2022, 6pm

Lecture Performances by the Candidates of the Binational Artistic-PhD Program at HfK Bremen

Harm Cordes, Izabella Dobielewska, Elburuz Fidan, Elisa Storelli, Irena Kukric, Joosten Müller, Ju Young Nam, Henrik Nieratschker, Luiz Zanotello.

> From 8.30 pm onwards: Opening of the exhibition by the PhD-candidates on the ship Dauerwelle, pier Bürgermeister-Smidt-Brücke

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